Theme
Conference Conference visitors my congress my congress Visitors

Schedule

Theme
Dies ist das Hub-Test-System beim VOC, basierend auf einem Abzug des 39C3.
Schedule
all curated only assembly only self_organized only
Day 1 Day 2 Day 3 Day 4
recorded only not recorded only
Tracks
Security Hardware CCC & Community Entertainment Art & Beauty Ethics, Society & Politics Science DJ-Set Live Performance Clear track filter

 

Day 2
16:00

16:30

17:00

17:30

18:00

18:30

19:00

19:30

20:00

20:30

21:00

21:30

22:00

22:30

23:00

23:30
Day 3
00:00

00:30

One
freiheit.exe - Utopien als Malware (de)

Christiane Mudra

"freiheit.exe“ ist eine Lecture über die ideologischen Rootkits des Silicon Valley. Sie schlägt den Bogen von den italienischen Futuristen zu den heutigen Tech-Feudalisten, vom Akzelerationismus zur Demokratieskepsis der Libertären, von Tolkien zur PayPal-Mafia. Basierend auf den Recherchen zu meinem Theaterstück "freiheit.exe. Utopien als Malware", in dem journalistische Analyse auf performative Darstellung trifft.
Code to Craft: Procedural Generation for the Physical World (en)

bleeptrack

Join bleeptrack for a deep dive into the fascinating world of procedural generation beyond the screen. From stickers and paper lanterns to PCBs, furniture, and even physical procedural generators, this talk explores the challenges and creative possibilities of bringing generative projects into tangible form.

Ground
Persist, resist, stitch (en)

Philo

What does knitting have to do with espionage? Can embroidery help your mental health? This talk shows how the skills to create textile art have enabled people to resist and to persist under oppressive regimes for centuries. And it offers ways to keep doing so.
CSS Clicker Training: Making games in a "styling" language (en)

Lyra Rebane

CSS is a programming language, and you can make games in it. Let's install NoScript and make some together!
51 Ways to Spell the Image Giraffe: The Hidden Politics of Token Languages in Generative AI (en)

Ting-Chun Liu, Leon-Etienne Kühr

Generative AI models don't operate on human languages – they speak in **tokens**. Tokens are computational fragments that deconstruct language into subword units, stored in large dictionaries. These tokens encode not only language but also political ideologies, corporate interests, and cultural biases even before model training begins. Social media handles like *realdonaldtrump*, brand names like *louisvuitton*, or even *!!!!!!!!!!!!!!!!* exist as single tokens, while other words remain fragmented. Through various artistic and adversarial experiments, we demonstrate that tokenization is a political act that determines what can be represented and how images become computable through language.

Zero
Variable Fonts — It Was Never About File Size (en)

Bernd

A brief history of typographic misbehavior or intended and unintended uses of variable fonts. Nine years after the introduction of variable fonts, their most exciting uses have little to do with what variable fonts originally were intended for and their original promise of smaller file sizes. The talk looks at how designers turned a pragmatic font format into a field for experimentation — from animated typography and uniwidth button text to pattern fonts and typographic side effects with unintended aesthetics. Using examples from projects such as TypoLabs, Marjoree, Kario (the variable font that’s used as part of the 39C3 visual identity), and Bronco, we’ll explore how variable fonts evolved from efficiency tools into creative systems — and why the most interesting ideas often emerge when technology is used in unintended ways.

Fuse
Machine Vision – Vom Algorithmus zum Baumpilz im digitalen Metabolismus (de)

Thomas Knüsel

Milliarden von Kameras produzieren täglich Bilder, die zunehmend von Maschinen analysiert werden. In dieser Lecture Performance beleuchten wir die Entwicklung des maschinellen Sehens – von den frühen algorithmischen Ansätzen bis zu den heutigen Anwendungen – und schauen, wie verschiedene Künstler:innen diese Technologien nutzen und reflektieren. Anhand der beiden Arbeiten „Throwback Environment” und „Fomes Fomentarius Digitalis” betrachten wir die Nutzung des maschinellen Sehens in einem künstlerischen Feedback-Loop. Die Arbeiten machen sichtbar, was die eingesetzten Algorithmen sehen und in welchen Mustern sie operieren.