BEGIN:VCALENDAR VERSION:2.0 CALSCALE:GREGORIAN X-WR-CALNAME:39th Chaos Communications Congress ICal Feed BEGIN:VEVENT SUMMARY:ΠXL: Noisy Improvised Concert on Analog&Digital Modular Synths (l ive) DTSTART:20251227T190000Z DTEND:20251227T200000Z UID:c02accd4-ed96-420a-aab4-14cf2f50c2c7 CATEGORIES: DESCRIPTION:Full details: https://hub.test.c3voc.de/en/event/detail/noisy- improvised-concert-on-analogdigital-modular-\n\nDescription:\nImprovised e lectronic music on a hybrid setup consisting of a small modular system and digital components programmed in Pure Data. The focus is on the musical e xploration of raw electronic sounds without the use of echoes\, reverb\, o r loopers. Even though there may be rhythmic moments\, these are not the f ocus\, nor are harmony and melody—rather\, technical/mathematical struct ures are the starting points. The aesthetic appeal arises from the accepta nce of the sound moment as a cognitive experience and the shared perceptio n of a tension arc by the audience and performer.\n\n#### Artist Bio:\n\ni am an electronic/experimental musician\, composer\, improviser\, programm er based in leipzig/germany.\n\nafter more than 3 decades as a professiona l musician and instrumental teacher in various styles and on various tradi tional instruments\, i have become a little bored and saturated with it. i n addition\, i have felt the desire to devote my life to other tasks such as left wing political\, activist work and exploring the social space. the refore i have decided to stop making traditional music and to focus musica lly on improvisation and electronic sound generation.\n\nthis allows me to combine some strong interests - for example\, exploring sounds\, computer programming\, electronic tinkering - and use them for my artistic work. i play live with a small modular system as well as with self-developed digi tal\, computer-based instruments and controllers. in addition to ensemble \nimprovisation\, i am increasingly interested in solo performances. throu gh my long time as a wind instrumentalist i have become accustomed to alwa ys using my breath for articulation and dynamic control. \nthat's why i us ually use a breath controller for my electronic performances.\nin this con cert i expect to use an eurorack-modular in combination with pure data & s upercollider\n LOCATION:Art & Play: Bus Stage URL:https://hub.test.c3voc.de/en/event/detail/noisy-improvised-concert-on- analogdigital-modular- END:VEVENT BEGIN:VEVENT SUMMARY:Christoph Fleischer: Traumtaucher (documentary) DTSTART:20251228T163000Z DTEND:20251228T180000Z UID:55b291ef-c242-4b7b-a3e1-c7a4a1009dbc CATEGORIES: DESCRIPTION:Full details: https://hub.test.c3voc.de/en/event/detail/traumt aucher_5jxf\n\nDescription:\n**Artist: Christoph Fleischer**\n\n**Genre: D ocumentary\, 92 min**\n\n*DE with EN subtitles\, 2024*\n\nTheatre engineer Elias builds a fully functional steampunk submarine together with his fri ends. While Nico rescues people from the waves of the Mediterranean\, the 70-year-old artist Jim advises: ”Don‘t do it. Don’t fix cars\, but r ather do something in life that you really want to”. Elias asks himself: Is there a decision to be made between self-realization and selfless-acti on? Upon what does responsibility towards individuals or larger society de pend?\nABOUT WATER AND DREAMS is a philosophical journey that questions th e meaningfulness of our actions and dares to dream publicly in our dreamle ss society.\n\nDocumentary film about the submarine project presented at 3 7C3 with a lecture.\nLecture - “How to build a submarine and survive” by Elias and Nico\n\nPicture: Traumtaucher ©Christoph Fleischer\n\n[www.t raumtaucher-film.de](www.traumtaucher-film.de)\n\n[www.tiefenruder.de](www .tiefenruder.de)\n LOCATION:Art & Play: Bus Stage URL:https://hub.test.c3voc.de/en/event/detail/traumtaucher_5jxf END:VEVENT BEGIN:VEVENT SUMMARY:Aylin Leclaire: Electronic live performance (live) DTSTART:20251228T193000Z DTEND:20251228T203000Z UID:5bc4560d-2332-42f5-8c8a-c95b6fa6f56d CATEGORIES: DESCRIPTION:Full details: https://hub.test.c3voc.de/en/event/detail/aylin- leclaire-electronic-live-performance\n\nDescription:\nCatchy hooks\, power ful beats\, and a touch of science fiction:\nAs a producer\, songwriter\, and interdisciplinary artist\, Aylin Leclaire weaves shimmering pop melodi es with dark\, pulsating electro textures. Her voice moves effortlessly fr om soft whispers to radiant soaring highs\, carrying lyrics that convey a clear stance without ever losing sight of the earworm.\n\n[aylinleclaire.c om](https://aylinleclaire.com)\n LOCATION:Art & Play: Bus Stage URL:https://hub.test.c3voc.de/en/event/detail/aylin-leclaire-electronic-li ve-performance END:VEVENT BEGIN:VEVENT SUMMARY:Pony Pracht\, Nina Bendix Igleses: »Water to Voice« (live perfom ance) DTSTART:20251228T223000Z DTEND:20251228T230000Z UID:c2ee835f-1379-4a19-9064-3b6e3ddc253f CATEGORIES: DESCRIPTION:Full details: https://hub.test.c3voc.de/en/event/detail/pony-p racht-nina-bendix-igleses-water-to-voice\n\nDescription:\n»Water to Voice « is an evolving piece born from the process of cloning Lisa’s voice. T he flow and movement of water control and trigger the voice\, creating a u nique interplay between the two elements. It captures the voice in the mid st of its training—shifting\, stumbling\, reinterpreting itself.\nAs the water moves\, it shapes and disrupts the sound\, transforming liquid moti on into vocal gesture. What emerges is neither purely human nor purely art ificial\, but something in between—alive\, unstable\, and constantly tra nsforming. »Water to Voice« becomes a dialogue between nature and techno logy\, a fragile choreography in which the voice learns\, falters\, and ev olves in real time.\n\nArtist Bio:\n\nThe duo Lisa L. Zwinzscher & Nina Be ndix Igleses (Leipzig/Weimar) explores the boundaries of listening and voi ce in the digital realm. Emerging from Lisa L. Zwinzscher’s solo project Pony Pracht\, which blends music with interactive\, game-inspired visuals \, her work expands to questions of identity and authenticity in the age o f AI. As a singer\, she has cloned her own voice\, transforming it into a human-artificial live instrument. \nFascinated by the tactile\, sonic and metaphorical qualities of water\, Nina Bendix Igleses approaches listenin g as a multisensory practice of relating to the world\, investigating inte rconnection within and between self and environment.\nTogether\, they enga ge with questions of identity\, resonance\, and transformation\, creating sonic environments that explore what it means to be human.\n\n\n[ponyprach t.com](https://ponypracht.com)\n\n[ninabendixigleses.com](https://ninabend ixigleses.com)\n LOCATION:Art & Play: Bus Stage URL:https://hub.test.c3voc.de/en/event/detail/pony-pracht-nina-bendix-igle ses-water-to-voice END:VEVENT BEGIN:VEVENT SUMMARY:Pony Pracht\, Nina Bendix Igleses: »Water to Voice« (meet the ar tist) DTSTART:20251229T120000Z DTEND:20251229T143000Z UID:8857a376-2018-4c0e-ab09-efc4684c8a81 CATEGORIES: DESCRIPTION:Full details: https://hub.test.c3voc.de/en/event/detail/pony-p racht-nina-bendix-igleses-water-to-voice-mee\n\nDescription:\n»Water to V oice« is an evolving piece born from the process of cloning Lisa’s voic e. The flow and movement of water control and trigger the voice\, creating a unique interplay between the two elements. It captures the voice in the midst of its training—shifting\, stumbling\, reinterpreting itself. As the water moves\, it shapes and disrupts the sound\, transforming liquid m otion into vocal gesture. What emerges is neither purely human nor purely artificial\, but something in between—alive\, unstable\, and constantly transforming. »Water to Voice« becomes a dialogue between nature and tec hnology\, a fragile choreography in which the voice learns\, falters\, and evolves in real time.\n\n#### Artist Bio:\n\nThe duo Lisa L. Zwinzscher & Nina Bendix Igleses (Leipzig/Weimar) explores the boundaries of listening and voice in the digital realm. Emerging from Lisa L. Zwinzscher’s solo project Pony Pracht\, which blends music with interactive\, game-inspired visuals\, her work expands to questions of identity and authenticity in t he age of AI. As a singer\, she has cloned her own voice\, transforming it into a human-artificial live instrument. Fascinated by the tactile\, son ic and metaphorical qualities of water\, Nina Bendix Igleses approaches li stening as a multisensory practice of relating to the world\, investigatin g interconnection within and between self and environment. Together\, they engage with questions of identity\, resonance\, and transformation\, crea ting sonic environments that explore what it means to be human.\n\n[ponypr acht.com](https://ponypracht.com)\n\n[ninabendixigleses.com](https://ninab endixigleses.com)\n LOCATION:Art & Play: Bus Stage URL:https://hub.test.c3voc.de/en/event/detail/pony-pracht-nina-bendix-igle ses-water-to-voice-mee END:VEVENT BEGIN:VEVENT SUMMARY:Pony Pracht\, Nina Bendix Igleses: »Water to Voice« (live perfom ance) DTSTART:20251229T143000Z DTEND:20251229T150000Z UID:49baf6fb-d9c1-4e77-acd3-43495189feda CATEGORIES: DESCRIPTION:Full details: https://hub.test.c3voc.de/en/event/detail/pony-p racht-nina-bendix-igleses-water-to-voice-liv\n\nDescription:\n»Water to V oice« is an evolving piece born from the process of cloning Lisa’s voic e. The flow and movement of water control and trigger the voice\, creating a unique interplay between the two elements. It captures the voice in the midst of its training—shifting\, stumbling\, reinterpreting itself. As the water moves\, it shapes and disrupts the sound\, transforming liquid m otion into vocal gesture. What emerges is neither purely human nor purely artificial\, but something in between—alive\, unstable\, and constantly transforming. »Water to Voice« becomes a dialogue between nature and tec hnology\, a fragile choreography in which the voice learns\, falters\, and evolves in real time.\n\n#### Artist Bio:\n\nThe duo Lisa L. Zwinzscher & Nina Bendix Igleses (Leipzig/Weimar) explores the boundaries of listening and voice in the digital realm. Emerging from Lisa L. Zwinzscher’s solo project Pony Pracht\, which blends music with interactive\, game-inspired visuals\, her work expands to questions of identity and authenticity in t he age of AI. As a singer\, she has cloned her own voice\, transforming it into a human-artificial live instrument. Fascinated by the tactile\, son ic and metaphorical qualities of water\, Nina Bendix Igleses approaches li stening as a multisensory practice of relating to the world\, investigatin g interconnection within and between self and environment. Together\, they engage with questions of identity\, resonance\, and transformation\, crea ting sonic environments that explore what it means to be human.\n\n[ponypr acht.com](https://ponypracht.com)\n\n[ninabendixigleses.com](https://ninab endixigleses.com)\n LOCATION:Art & Play: Bus Stage URL:https://hub.test.c3voc.de/en/event/detail/pony-pracht-nina-bendix-igle ses-water-to-voice-liv END:VEVENT BEGIN:VEVENT SUMMARY:ΠXL: Noisy Improvised Concert on Analog&Digital Modular Synths (l ive) DTSTART:20251229T193000Z DTEND:20251229T203000Z UID:cb40fb2e-15ec-46c0-9f6b-b1a8a3b90f1a CATEGORIES: DESCRIPTION:Full details: https://hub.test.c3voc.de/en/event/detail/xl-noi sy-improvised-concert-on-analogdigital-modul\n\nDescription:\nImprovised e lectronic music on a hybrid setup consisting of a small modular system and digital components programmed in Pure Data. The focus is on the musical e xploration of raw electronic sounds without the use of echoes\, reverb\, o r loopers. Even though there may be rhythmic moments\, these are not the f ocus\, nor are harmony and melody—rather\, technical/mathematical struct ures are the starting points. The aesthetic appeal arises from the accepta nce of the sound moment as a cognitive experience and the shared perceptio n of a tension arc by the audience and performer.\n\n#### Artist Bio:\n\ni am an electronic/experimental musician\, composer\, improviser\, programm er based in leipzig/germany.\n\nafter more than 3 decades as a professiona l musician and instrumental teacher in various styles and on various tradi tional instruments\, i have become a little bored and saturated with it. i n addition\, i have felt the desire to devote my life to other tasks such as left wing political\, activist work and exploring the social space. the refore i have decided to stop making traditional music and to focus musica lly on improvisation and electronic sound generation.\n\nthis allows me to combine some strong interests - for example\, exploring sounds\, computer programming\, electronic tinkering - and use them for my artistic work. i play live with a small modular system as well as with self-developed digi tal\, computer-based instruments and controllers. in addition to ensemble \nimprovisation\, i am increasingly interested in solo performances. throu gh my long time as a wind instrumentalist i have become accustomed to alwa ys using my breath for articulation and dynamic control. \nthat's why i us ually use a breath controller for my electronic performances.\nin this con cert i expect to use an eurorack-modular in combination with pure data & s upercollider\n LOCATION:Art & Play: Bus Stage URL:https://hub.test.c3voc.de/en/event/detail/xl-noisy-improvised-concert- on-analogdigital-modul END:VEVENT BEGIN:VEVENT SUMMARY:Christoph Fleischer: Traumtaucher (documentary) DTSTART:20251229T213000Z DTEND:20251229T230000Z UID:6a6daa67-ce77-4c97-aa20-c12661c70bec CATEGORIES: DESCRIPTION:Full details: https://hub.test.c3voc.de/en/event/detail/traumt aucher\n\nDescription:\n**Artist: Christoph Fleischer**\n\n**Genre: Docume ntary\, 92 min**\n\n*DE with EN subtitles\, 2024*\n\nTheatre engineer Elia s builds a fully functional steampunk submarine together with his friends. While Nico rescues people from the waves of the Mediterranean\, the 70-ye ar-old artist Jim advises: ”Don‘t do it. Don’t fix cars\, but rather do something in life that you really want to”. Elias asks himself: Is t here a decision to be made between self-realization and selfless-action? U pon what does responsibility towards individuals or larger society depend? \n\nABOUT WATER AND DREAMS is a philosophical journey that questions the m eaningfulness of our actions and dares to dream publicly in our dreamless society.\n\n\nDocumentary film about the submarine project presented at 37 C3 with a lecture.\nLecture - “How to build a submarine and survive” b y Elias and Nico\n\n[www.traumtaucher-film.de](www.traumtaucher-film.de)\n \n[www.tiefenruder.de](www.tiefenruder.de)\n\nPicture: Traumtaucher ©Chri stoph Fleischer\n LOCATION:Art & Play: Bus Stage URL:https://hub.test.c3voc.de/en/event/detail/traumtaucher END:VEVENT BEGIN:VEVENT SUMMARY:Christian Faubel: Electronic Oscillators for organic patterns and polyrhythms Jam Session (live) DTSTART:20251230T130000Z DTEND:20251230T140000Z UID:42acf091-30c5-416b-a6d4-d11997c2f6f4 CATEGORIES: DESCRIPTION:Full details: https://hub.test.c3voc.de/en/event/detail/christ ian-faubel-electronic-oscillators-for-organi\n\nDescription:\nThe results of the workshop “Electronic Oscillators for Organic Patterns and Polyrhy thms” will be presented in a jam session. The soundboards created in the workshop will be used for this purpose.\n\n[https://christian.faubel.ders trudel.org](https://christian.faubel.derstrudel.org)\n\n[https://post.lurk .org/@derstrudel](https://post.lurk.org/@derstrudel)\n LOCATION:Art & Play: Bus Stage URL:https://hub.test.c3voc.de/en/event/detail/christian-faubel-electronic- oscillators-for-organi END:VEVENT END:VCALENDAR